Home Forums Art Ten Thousand Li of the Yangtze River

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      LoongeseLoongese
      Keymaster

        Wu Guanzhong’s “Ten Thousand Li of the Yangtze River” is a significant oil painting created between 1973 and 1974. This artwork measures 509 cm in length and 22.5 cm in height, and it is recognized as a monumental piece in Wu’s artistic career, showcasing his mastery of blending traditional Chinese aesthetics with Western painting techniques.

        Background of the Artwork

        Wu Guanzhong was commissioned to create this piece as part of a larger mural project for the Beijing Hotel, collaborating with other notable artists such as Huang Yongyu, Yuan Yunfu, and Zhu Danian. The mural was intended to depict the grandeur of the Yangtze River, a vital symbol of Chinese culture and identity. However, due to political circumstances at the time, the mural project was ultimately abandoned, leaving Wu with this comprehensive draft that encapsulated his vision of the river.

        Artistic Features

        The painting is notable for its innovative use of the traditional Chinese handscroll format, which allows for a narrative flow that captures the essence of the Yangtze River and its surroundings. Wu incorporated various elements into the artwork, including:

        • Snowy pines and terraced fields of the Tianfu region
        • Wuxia goddess and clouds over Huangshan
        • Golden Bridge and city lights along the river
        • Trains traversing the landscape

        These elements are arranged in a way that merges time and space, creating a dynamic visual experience that reflects both the physical beauty and cultural significance of the Yangtze River.

        Market Impact

        In November 2011, “Ten Thousand Li of the Yangtze River” was auctioned for a staggering 1.495 billion yuan (approximately $230 million), setting a record for Wu Guanzhong’s works and highlighting the increasing value of contemporary Chinese art in the global market. This sale underscored the painting’s importance not only as a piece of art but also as a cultural artifact representing the spirit of the Yangtze River and the broader narrative of Chinese history.

        Conclusion

        Wu Guanzhong’s “Ten Thousand Li of the Yangtze River” stands as a testament to his artistic genius and his ability to bridge Eastern and Western artistic traditions. The painting is celebrated for its narrative depth, technical skill, and cultural resonance, making it a landmark piece in both Wu’s oeuvre and the history of Chinese oil painting.

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