临江仙
北宋,苏轼
夜饮东坡醒复醉,归来仿佛已三更。家童鼻息已雷鸣,敲门都不应,倚帐听江声。
长恨此身非我有,何时忘却营营。夜阑风静縠纹平,小舟从此逝,江海寄余生。
元,吴镇(1280–1354) ,1350,芦滩钓艇图,卷,31.1 x 53.8 cm,纽约大都会博物馆[……]
临江仙
北宋,苏轼
夜饮东坡醒复醉,归来仿佛已三更。家童鼻息已雷鸣,敲门都不应,倚帐听江声。
长恨此身非我有,何时忘却营营。夜阑风静縠纹平,小舟从此逝,江海寄余生。
元,吴镇(1280–1354) ,1350,芦滩钓艇图,卷,31.1 x 53.8 cm,纽约大都会博物馆[……]
《韩熙载夜宴图》是中国五代十国时期南唐画家顾闳中的一幅著名绘画作品,现存的版本为宋代的摹本,收藏于北京故宫博物院。这幅画以其细致的工笔技法和丰富的叙事内容而闻名,描绘了南唐重臣韩熙载在家中举行夜宴的场景。
《韩熙载夜宴图》通过连环画的形式,分为五个主要场景:
浙江省博物馆藏《富春山居图》剩山图
Yuan dynasty, Huang Gongwang (1269–1354), Dwelling in the Fuchun Mountains (The Remaining Mountain Scroll), 31.8×51.4 cm, Zhejiang Provincial Museum, Hangzhou[……]
https://youtu.be/yRT80LEt4GY
唐,冯承素(617年-672年10月30日),摹王羲之《兰亭集序》(因卷首有唐中宗李显神龙年号小印,故称“神龙本”),现藏于北京故宫博物院
Main text of a Tang Dynasty copy of Wang Xizhi’s Lantingji Xu by Feng Chengsu (馮承素 617-672). Throughout Chinese history, many copies were made of the Lantingji Xu, which described the beauty of the landscape around the Orchid Pavilion and the get-together of Wang Xizhi and his friends. The original is lost, however some believed that it was buried in the mausoleum of Emperor Taizong of Tang. This Tang copy made between 627-650 is considered the best of the copies that has survived. Located in the Palace Museum in Beijing.[……]
唐,颜真卿(709年-785年),《祭侄文稿》,行草,纵28.2厘米,横72.3厘米,台北故宫博物院藏
Tang dynasty, The Calligraphy Model “Draft of Nephew Sacrifice” by Yan Zhenqing(709-785), National Palace Museum, Taipei
維乾元元年。歲次戊戌。九月庚午。朔三日壬申,〈從父〉第十三叔銀青光祿〈脫「大」字〉夫使持節蒲州諸軍事、蒲州刺史、上輕車都尉、丹陽縣開國侯真卿。以清酌庶羞。祭于亡姪贈贊善大夫季明之靈曰:惟尔挺生。夙標幼德。宗廟瑚璉。階庭蘭玉。〈方憑積善〉。每慰人心。方期戩穀。何圖逆賊開釁。稱兵犯順。 尔父〈□制,改被脅又改〉竭誠。常山作郡。余時受 命。亦在平原。 仁兄愛我。〈恐〉俾尔傳言。尔既歸止。爰開土門。土門既開。凶威大蹙。〈賊臣擁眾不救〉賊臣〈擁〉不救。孤城圍逼。父〈擒〉陷子死。巢傾卵覆。 天不悔禍。誰為荼毒。念尔遘殘。百身何贖。嗚乎哀哉。吾承天澤。移牧〈河東近〉河關。〈尔之〉尔明比者。再陷常山。〈提〉攜尔首櫬。〈亦自常山〉及茲同還。撫念摧切。震悼心顏。方俟〈□□〉遠日。〈□〉卜尔幽宅。〈撫〉魂而有知。無嗟久客。嗚呼哀哉尚饗。
《祭侄稿》是颜真卿为祭奠就义于安史之乱的侄子颜季明所作。[……]